{"id":2033,"date":"2020-12-07T16:24:37","date_gmt":"2020-12-07T16:24:37","guid":{"rendered":"http:\/\/dotweb.com.br\/desenv?page_id=2033"},"modified":"2023-05-18T05:02:17","modified_gmt":"2023-05-18T05:02:17","slug":"gamboa","status":"publish","type":"page","link":"https:\/\/beatrizmilhazes.com\/?page_id=2033&lang=en","title":{"rendered":"Gamboa"},"content":{"rendered":"
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Paintings<\/a><\/h2>\n

Collages<\/a><\/h2>\n

Screenprintings<\/a><\/h2>\n

Sculptures<\/a><\/h2><\/div>\n

Gamboa<\/a><\/h2>\n

Scenography<\/a><\/h2>\n

Artist Book<\/a><\/h2>\n

Tapestry<\/a><\/h2><\/div>\n
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Work Log<\/a>
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Originally inspired by the set design for Tempo de Ver\u00e3o, a 2004 performance by Marcia Milhazes Companhia de Dan\u00e7a, Beatriz Milhazes\u2019s\u00a0Gamboa mobile has since transformed into several distinct spatial concepts that adapt according to the specifications of the venues in which they are shown.\u00a0<\/strong><\/p>\n

The design for Tempo de Ver\u00e3o, 2004, was conceived as a chandelier that floated from the ceiling. It was not a singular piece itself but existed only in relation to the stage and performance. Its intensity was concentrated at the bottom, which was composed of a rich mix of exuberant elements held by strings, illuminating the dance scene below. In Gamboa, these elaborated elements climb up the strings and occupy different points along the work, organizing the balance between weight and volume. The idea of a complete sculpture, of a piece on its own, is born.<\/strong><\/p>\n

Henri Matisse, Tarsila do Amaral, and Piet Mondrian, as well as the Rio de Janeiro Carnival parade, which was created by Carnival designers like Fernando Pinto in the 1980s, have been strong references in Beatriz Milhazes\u2019s work since very early in the development of her visual language. Each Gamboa installment is executed by artisans of samba schools in Rio, made after the artist\u2019s drawings and based on Carnival ornaments and motifs. Gamboa (2008), Gamboa I (2013), and Gamboa II (2013\/2015) were led by Sergio Farias and Glauce Milhazes with members of the samba school Imperatriz Leopondinense, while Gamboa III (2020) was made by artisans of Grande Rio Samba School (Gr\u00eamio Recreativo Escola de Samba Acad\u00eamicos do Grande Rio) under the supervision of Carnival designers Leonardo Bora and Gabriel Haddad following the artist\u2019s proposal. The rich mixture of new materials and recycled elements from past Carnival parades and celebrations incorporates not just the material but also the energy and spirit of Rio\u2019s rich culture and traditions.\u00a0<\/strong><\/p>\n

With its performances,\u00a0Marcia Milhazes Companhia de Dan\u00e7a has participated in a continuous dialogue with various iterations of the work over time, including the most recent installation of Gamboa III at Pace Gallery. By engaging with the visual arts environment, these choreographies constitute a happening\u2014the creation of an infinite, harmonious cycle.\u00a0<\/strong><\/p>\n

\nThe cenography Tempo de Ver\u00e3o for Marcia Milhazes Cia de Dan\u00e7a has developed itself into a space concept based on a mobile format, entering, from 2008, museums, institutions and art galleries.<\/strong><\/p>\n

The elements and motives are developed out of my drawings, with references to carnival ornaments. The projects have been executed by artisans of Samba Schools in Rio. Overlooked by Sergio Farias and Glauce Milhazes, with Imperatriz Leopondinense\u2019s artisans (Gamboa, Gamboa I and II); and Gabriel Haddad and Leonardo Bora (Gamboa III) with Grande Rio artisans.<\/strong><\/p>\n

Curiously, Marcia Milhazes\u2019 choreographies enter the visual arts ambiance and develop a dialogue with Gamboa. A happening, the creation of a cycle, an infinite cycle fullfilled with harmony.<\/strong>\n<\/div>\n

Different versions were conceived accordingly to each venue\u2019s specificities:<\/p>\n

Gamboa<\/strong> \u2013 presented in two diferente versions: at Prospect 1 \u2013 US Biennal, New Orleans (2008); and in Fondation Beyeler, Basel (2010).
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\nGamboa I<\/strong> \u2013 developed in a unique version, to the exhibition Meu Bem, at Pa\u00e7o Imperial, Rio de Janeiro (2013)
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\nGamboa II<\/strong> \u2013 there were three different versions, distinctly between them specially in relation to the height, shown in Jewish Museum, NY (2016); White Cube Gallery, London (2018); e Parque Lage, Rio de Janeiro (2019).<\/p>\n

Gamboa III<\/strong> \u2013 developed for the retrospective exhibition Beatriz Milhazes: Avenida Paulista, at MASP and Ita\u00fa Cultural (2020) and presented at the exhibition Beatriz Milhazes: Mistura Sagrada, Pace Gallery NY.<\/p>\n<\/div>\n

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Gamboa III \/ Year 2020<\/a><\/h2>\n

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Gamboa II \/ Years 2013\u20132015<\/a><\/h2>\n

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Gamboa II \/ Years 2013\u20132015<\/a><\/h2>\n

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Gamboa I \/ Year 2013<\/a><\/h2>\n

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Gamboa \/ Years 2008 & 2010<\/a><\/h2>\n

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