{"id":1907,"date":"2020-11-30T04:10:48","date_gmt":"2020-11-30T04:10:48","guid":{"rendered":"http:\/\/dotweb.com.br\/desenv?page_id=1907"},"modified":"2024-07-31T01:27:19","modified_gmt":"2024-07-31T01:27:19","slug":"bibliografia-2","status":"publish","type":"page","link":"https:\/\/beatrizmilhazes.com\/?page_id=1907","title":{"rendered":"Bibliografia"},"content":{"rendered":"

\u201cSe as 10 novas obras nesta mostra \u2013 sua primeira em Nova Iorque desde 2015 \u2013 n\u00e3o s\u00e3o as melhores de todas, s\u00e3o certamente as melhores at\u00e9 hoje exibidas na cidade. Mostram Beatriz no comando, expandindo suas refer\u00eancias, afiando sua composi\u00e7\u00e3o e transformando suas cores em pinturas espetaculares\u201d<\/h1>\n<\/div><\/section><\/div>\n
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Smith, Roberta.<\/strong>\u201cWhat to See in N.Y.C. Galleries Right Now\u201d
\nNew York Times, 19 oct 2022.<\/h1>\n<\/div><\/section><\/div>\n

\u201cSe a sinfonia das cores n\u00e3o funciona, a sedu\u00e7\u00e3o acaba\u201d, diz Milhazes. \u201cN\u00e3o estou mais preocupada com atordoamento visual. Mas sim em fazer o olho girar. \u201dSeu discurso pict\u00f3rico exacerba excesso. Seus trabalhos s\u00e3o quebra-cabe\u00e7as, espirais, burburinhos, turbilh\u00f5es, ajuntamentos de dissimilitudes, folhagens. \u201cQuando pensei em criar um ritmo\u201d, comenta Milhazes, sobre uma de suas pinturas, \u201clogo me veio a imagem do Boogie-Woogie, de Mondrian, essa coisa de ritmo acelerado, que o olho n\u00e3o consegue parar\u201d<\/h1>\n<\/div><\/section><\/div>\n
<\/div>\n

Herkenhoff, Paulo<\/strong>. Beatriz Milhazes, The Brazilian Trove. Beatriz Milhazes. Birmingham: Ikon Gallery, Birmingham, AL: Birmingham Museum of Art, 2001.<\/h1>\n<\/div><\/section><\/div>\n
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\u201cO trabalho da pintora brasileira Beatriz Milhazes tece uma linha t\u00eanue entre o impulso modernista cerebral (e ocasionalmente visualmente austero), e a arte popular, intuitiva, festiva, excessivamente saturada em cores, que transborda em dire\u00e7\u00e3o ao carnaval.\u201d<\/h1>\n<\/div><\/section><\/div>\n
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Glover, Michael<\/strong>. \u201cRio Azul, Beatriz Milhazes, White Cube Bermondsey, London, review: Visually seductive, slightly vertigo-inducing.\u201d Independent, 18 Apr 2018(Article)<\/a><\/h1>\n<\/div><\/section><\/div>\n
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\u201ca atra\u00e7\u00e3o generalizada por Milhazes se deve ao fato de ela ser uma artista \u201cglocal\u201d, com seu trabalho fundamentado na linguagem internacional do modernismo, mas que mant\u00e9m ra\u00edzes profundas no seu pr\u00f3prio local e tempo.\u201d<\/h1>\n<\/div><\/section><\/div>\n
<\/div>\n

Kino, Carol<\/strong>.\u201cModern Motifs, with Echoes of Brazil.\u201d The New York Times, 26 Oct 2008: 22(Article)<\/a><\/h1>\n<\/div><\/section><\/div>\n
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Acesse aqui a bibliografia selecionada da artista:<\/p>\n<\/div><\/section>
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